But it’s when they refuse to compromise that the movie soars.ĭent starts as a bright knight-a blond, bold DA who aims to clean up Gotham’s streets for good. “You either die a hero or live long enough to see yourself become the villain,” says Dent. It’s a pesky truism our heroes struggle with from the get-go. ![]() “You got rules!” a broken mob boss tells Batman. But at its most basic, the question it poses is this: To what lengths do good people go in order to conquer the worst sort of evil? Must they become a little evil themselves along the way? The Dark Knight is a complex film with a myriad of messages. So begins perhaps the deepest, bleakest summer blockbuster ever, an explosion-riddled saga about order and anarchy, about good and evil, and about the line we draw between the two. “If you’re good at something,” the Joker wheezes, “you never do it for free.” What does he ask for? Half the mob’s money. He crashes a high-level mob meeting and offers his services as the city’s very own bat exterminator. Then-like the flu, like a hailstorm, like a crowbar to the side of the head-comes the Joker. What? A city where crime kingpins are afraid of the dark? Mob bosses stopped meeting at night, afraid they’d be pinched. ![]() Batman prowled the city’s darkest alleys. ![]() Harvey Dent, a new and fearless district attorney, stalked the courtrooms. Gordon, was squeezing the city’s crime syndicates. Gotham’s finest, led by straight-arrow Lt. And sometimes trouble comes a callin’, all on its own.įor a while, it seemed as though life in Gotham City was looking up.
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